So it’s no secret that a lot of people didn’t like The Last Jedi. A lot of people did, too, which is fine. But for the most part, it seems to me that the people who like it do so because they see what it was trying to do and give it a pass for not actually accomplishing those things. There’s honestly nothing wrong with that approach, but it doesn’t work for me for this movie.
So instead, I’d like to pontificate for a moment about a few things we might do to actually fix this movie. I’ve spent a fair bit of time thinking about this and my suggestions might not be perfect but I think they would get us closer to what Rian Johnson actually wanted to accomplish.
So here, in no particular order, are the things I would change to help The Last Jedi accomplish its goals.
Let’s not change anything here. I know a lot of people hate this sequence because it ultimately doesn’t solve the problems they set out to solve. That’s OK, though. Some people also dislike it because ultimately nothing Finn and Rose accomplish there sticks – the damage is repaired, the horse things are recaptured. But that wasn’t the point either. The point is in that final moment with the kid who force pulls the broom to himself. He was inspired by their actions. A rebellion is built on hope, I’ve heard, but it’s sustained with inspiration. The kid sees a different path, now, and he probably isn’t the only one. That is because of Finn and Rose. The sequence does everything we need it to.
OK, so, let’s actually have Poe screw up. I think the simplest way to do this is to change the initial plan. Instead of having a plan to destroy the enemy cruiser that Leia tells Poe to abort let’s have the plan always be about Poe distracting and annoying people. And then let’s have him audible in the bombers. At this point, ensuing deaths would be 100% his fault because instead of just insisting they follow through on a plan to which everyone initially agreed he really appears to be seeking glory and heroism. This much more closely fits what everyone accuses him of.
Then let’s actually remove him from the command structure. Don’t demote him; bench him entirely. Confine him to quarters while you try to figure out what you need to do with him and have that decision delayed by the First Order’s follow up attack and Leia’s coma. Don’t let him out to try to fly against the Imperials. Keep him locked up and frustrated. Then, when he comes up with the plan with Rose and Finn that counters what General Holdo wants to accomplish, he’s really acting out. Instead of just acting on command authority without consulting others who are technically above him but practically in a different command structure. He’d be using authority he shouldn’t even have anymore. The rest of this can play out more or less the way it actually did in the movie only it will fit a lot better.
Rey and Kylo’s plot
Actually, this isn’t bad either. the biggest change I’d make here is that I’d have Rey learn the truth of her parentage in the cave. As things stand the cave is entirely pointless. She stands around snapping her fingers and absolutely nothing happens. Why is this sequence here? Let’s kill two birds with one stone. I had the light shown to me when I read somewhere – I forget where so if you know please tell me so I can properly credit the writer – that the way Rey’s parentage is revealed is a tad on the icky side because it could have been a moment of empowerment for her but instead becomes something Kylo gets to wield against her. So let’s take that away from him – he doesn’t need it – and give it back to her.
After meeting with Luke and realizing he doesn’t want to train her she’s probably already feeling rejected, again, so let’s let her face her past on her own terms. The follow through where she continues to resist the temptation to slip to the dark side then follows a bit more strongly, as well. I think it was intended to show her hitting rock bottom but it never really feels like that so I think a different angle might do better.
For starters, let’s put her in a uniform. There’s really no need for the dress and it’s distracting as hell. Then, now that we’ve fixed Poe’s place in the story, we don’t have to change her much. Everything she does makes sense in this new context. Except for one thing. The way she acts after sending the transports off to Crait. First of all, she always should have adjusted course to try to block line-of-sight to the transports just for added security and safety. But let’s assume that wasn’t an option because the very act of changing course would have given the game away. That seems reasonable. You know what would have been a hell of a lot more distracting than just trying to fly along on her merry way? (Which, ya know, flying straight is probably something the autopilot could have handled anyway.) Doing the thing she eventually did, anyhow. Flip the cruiser around and use it as a giant weapon against the First Order fleet.
This moment of self-sacrifice would be even more of an excellent lesson for Poe about “Glory” and the costs it has if it had been planned from the beginning and made clear to Poe that that was the case. It makes Holdo a stronger character with firmer convictions and noble purpose instead of the helpless incompetent who stood there and watched half of her allies get slaughtered before she finally coming up with a desperate plan.
Finally, we get to Luke. We’re going to need to make a couple changes here. I still, for the life of me, can’t see Luke Skywalker being the kind of guy who would whip out his lightsaber and wield it against his sleeping nephew before realizing that’s probably a bad idea. But I can see a couple other options that would work just as well to motivate Ben – keeping in mind that Luke losing an apprentice in any sense, but especially one which saw students or staff die at the hands of a traitor could still lead him to run away and lick his wounds as he ends up doing. He could see or sense Ben meeting with Snoke and arrive on the scene wielding his lightsaber which caused Ben to move up the timetable for his betrayal; it’s already canon, after all, that Ben was being tempted to the Dark Side. Luke’s fears did not come out of nowhere. Or perhaps Ben could overhear Luke having a conversation with ghost Obi-Wan about Luke knowing that Ben has been meeting with Snoke and maybe Old Ben tells Luke he should just kill young Ben, now. Heck, you could rip a page out of Final Fantasy XV and have Snoke use a Jedi mind trick on Luke that causes him to think Ben is Snoke or someone else just as evil and have Luke attack him unintentionally.
The point is that you can move the characters to the same places with the same feelings without turning Luke into such a cowardly figure. I think most Star Wars fans are willing to go along with you to a world where Luke isn’t perfect. Where Luke is scared, or confused, or angry. But to ask us all to believe in a Luke who is so cowardly that he would so seriously consider killing his own student and nephew while he slept in cold blood is just a bridge too far.
I know I spent some time in my original review complaining about Luke dying. I didn’t think it was necessary and I didn’t like the way it was done. I still don’t think it was absolutely necessary but I can see how it works even if it wasn’t. Luke’s continued existence in the franchise would be something of an Avengers problem for every subsequent movie where people would ask why he doesn’t come out of retirement to help solve this latest problem the same way they ask why the Avengers don’t always show up to help out heroes in every solo superhero movie. I also still don’t like how Luke’s death was done with what amounts to a fakeout followed by the real death. But I’m actually not entirely sure how I’d fix that. The best I’ve come up with is maybe to show him straining more when we flash to his real body after the reveal so that it’s more apparent that what he’s doing will kill him.
And that’s it. Well, one more thing, I’d like to see Rey ditch the ancient Jedi texts. In a movie that goes on and on about letting the past die it still feels incredibly odd that the absolute worst part of the past – the texts of an order that did stupid things in the name of stupid ideals and hurt people and ultimately got themselves killed – survives. And I wouldn’t have Rose fall in love with Finn after knowing him for less than 24 hours. That seems way too convenient.
OK, so that’s it. As you can see most of the movie survives intact. It’s just a few key changes to actually communicate the messages and ideas Mr. Johnson appears to have been trying to tell through this movie. He doesn’t have bad ideas it’s just like he didn’t bother to completely plot out all the details and trusted the audience to just accept whatever outcome he gave them. How about you? Do you like these changes or would you rather make different ones?